“The Mentor”–Another “The Office” Web Series–Debuts

I, personally, don’t watch The Office, but I know those who do, love it. Creators of The Office have created companion Web series before. Here’s a new one:

NBC.com unveils “The Mentor,” the latest web series from NBC’s Emmy Award-winning comedy “The Office,” starting March 4 with four all-new episodes. Fans of “The Office” and the show’s previous web series such as “Subtle Sexuality” and “The Accountants” can find “The Mentor” online at http://www.nbc.com/The_Office/webisodes.

The plot of the four webisodes begins as office coordinator Erin Hannon (Ellie Kemper) decides to broaden her professional horizons with lessons in accounting.  With unforgiving Angela Martin (Angela Kinsey) as her mentor, Erin gets some hard schooling in comportment, dress, and on occasion, number-crunching.

Fellow Dunder Mifflin staffers begin to wonder if the new mentor relationship between Angela and Erin will put a strain on Erin’s BFF (“best-friends-forever”) Kelly Kapoor.  Will Erin crack under Angela’s strict supervision?  Will Kevin (Brian Baumgartner) learn how to accurately use a calculator?  Fans can find out answers to all of these questions and more at NBC.com.

“The Mentor” web series was directed by Kelly Cantley and written by Nate Federman and Jonathan Hughes.  “The Mentor” also stars Creed Bratton, Kate Flannery and Oscar Nunez.

Source: PRNewsChannel

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“5th Year” Turns Into “Workaholics” and Lands On Comedy Central

The Web series formerly known as 5th Year recently made a name change and found its way to Comedy Central.

Comedy Central Orders ‘Workaholics’

Comedy Central has greenlit Workaholics, a sitcom that originated as a webisode from the comedy group Mail Order Comedy.

Workaholics follows three friends, fresh out of college, that work together as telemarketers, while scheming to do as little real work as possible.

“This pilot was one of the great surprises waiting for me when I arrived here,” said Comedy Central’s head of programming Kent Alterman. “These guys have a unique comedic sensibility that they’ve applied to a very relatable experience – that delicate time between college and becoming a responsible adult. For me, that period lasted for decades.”

Mail Order Comedy’s Blake Anderson, Anders Holm, Adam Devine will star in the series. Comedy has tapped Kevin Etten (Scrubs) to serve as executive producer and showrunner.

Comedy has ordered 10 half hour episodes of Workaholics, which will premiere in summer, 2010.

Workaholics is the latest in a growing line of web series making the jump to traditional television. Adult Swim picked up TheWB.com’s Children’s Hospital after Comedy Central passed on the project last year. Likewise Comedy’s newest series Ugly Americans had its origins on the web as a short.

It appears that most of the 5th Year videos are taken down, but here is a glimpse of what kind of comedy these guys create:

Source: Broadcasting & Cable and 5thYear.com

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Web Series “Bitchin’ Kitchen” Moves From the Web to the Food Network

If I created a Web series, I’d hope for one of three things:

-Enough funding to allow me to have total creative freedom

-Have a major media outlet pick up the series

-Both

Turns out the creators of Bitchin Kitchen got all three.

With its television debut now scheduled, what was once a series of three-minute webisodes – available only online – will soon become a full season of 13, 30-minute television episodes, airing exclusively on Food Network Canada.

Food Network Canada’s brand new Canadian series, Bitchin’ Kitchen explores delicious recipes for life and love with a twisted sense of humour and a rock ‘n’ roll edge. Previously an acclaimed web series, Bitchin’ Kitchen has received awards for ‘Favourite Mobile Series’ and ‘Hottest Emerging Digital Brand in Canada’.

“This is new territory for us – it’s the first time Food Network Canada has invested in a web series; we loved what we saw online and were excited for the opportunity to translate that to a television series,” said Leslie Merklinger, Director of Original Production, Food Network Canada.

“It is an experiment,” she told Mediacaster Magazine. “A bit of a risk, yes. Can we appeal to and draw in a different audience to the Food Network? We are eager to find out.”

There’s a reason the show is on at 11 pm, she added. It is definitely not to everyone’s taste.

Show host Nadia G cooks in three-inch cherry stilettos, she has a tea towel made of chain mail and her kitchen is decked out in leather and animal print.

In each episode she shares accessible, inspiring recipes to suit life situations from breaking up to making up, all peppered with her signature ‘Nadvice’.

“Ever since I created the Bitchin’ Kitchen web series three years ago, I dreamed of seeing it on Food Network,” she said. “I can’t wait to rock the kitchen with our bitchin’ blend of great Casalinga food, comedy and a sassy attitude that makes cooking fun.”

It’s that irreverent online approach that made the show a Net sensation, and that created a significant fan base and following online, something the Food Network hopes to tap into.

“We have doubled the size of our audience (at the Food Network) in past three years,” Merkinger described, “but we’re always looking for new ideas, and new ways that we can attract new audiences.”

The show is edgy, but is has solid instructional content and it does present new recipes with credibility and insight. Merklinger says the show has some fun with the standard cooking show formula, and acts as a bit of a send up of other shows as well as of itself.

“This is not change in the direction of the channel,” she carefully notes, “but it is a new approach to the established cooking show genre.”

Building on its web heritage, the premiere episode of Bitchin’ Kitchen will encourage viewer participation through live blogging during the show, the use of social media sites like Facebook and Twitter, as well as by posting recipes and backstage photos online after the show airs. Full episodes will be available online as well.

The series was produced specifically for Food Network Canada, translated and expanded from the online series for a completely unique TV run.

As Merklinger added, “The lines are blurring among the different platforms. We really do consume content and get inspiration from all the different media devices out there. So I search for talent and concepts everywhere; I look at possible content for our channel anywhere it exists, no matter what the platform. It is not an ‘us-versus-them’ scenario anymore.”

Nevertheless, she said this marks the first time she has moved an online property to the specialty channel. “It doesn’t happen often,” she acknowledged. “So I think it is a great Canadian story.”

Even though the article claims the series in a “Net sensation”, I had never come across it before. It reminds of me of the old TBS series Dinner & a Movie but a little bit quirkier. Check out this episode:

Bitchin’ Kitchen site

Source: MediaCaster

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Ugh! Ear infections SUCK!

After two weeks of dealing with one ear infection, and then another, I am back to WSC!

Look for belated indie soap reviews, more Web series news, and a new podcast.

As you may know, the Streamy Awards nominations were recently announced. Commentary on those are coming up!

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Even More Evidence Web Series Are Growing At Lightning Speed

Considering there are many movies made on a budget of $45 million or more, having that much spent on Web series production in a year doesn’t seem like much. However, here’s an interesting article on the projected increase in money being invested in Web series over the next few years:

The fledgling industry in original content made for the web will grow rapidly over the next few years, according new research. Content Economics estimates that £30 million (US$46.9 million) was spent in Europe and the US on producing web series last year and it forecasts that that total will rise to £90 million by 2013.

While several media companies, notably several of the US majors, have scaled back their digital production offerings, the amount of professionally made content for the Internet is increasing rapidly.

Content Economics says that the US continues to lead the way and the UK is the next most active territory. The BBC, the research house notes, has spent more on made-for-broadband content than any other broadcaster in the US or Europe.

In the UK, however, last year’s economic crisis had an impact in this area. “The collapse in the advertising and sponsorship market during the recession has seen the number of commercial projects dwindle and budgets shrink,” said James Healey, director of research at Content Economics. “It is the deep-pocketed BBC, and also Channel 4, who will drive this market in the UK in the near-term.”

Outside of the UK, Franco-German arts and culture broadcaster Arte is increasingly active in digital production while other public broadcast channels across the continent have yet to get up to speed. In the US, public broadcaster PBS is fairly inactive and the growth will be spearheaded by the large media companies like Sony, Paramount and Warners, according to Content Economics.

Former Disney boss Michael Eisner recently told delegates at the Natpe trade show that his digital production company Vuguru can make shows for as little as US$2,000 per minute. But producers need to be mindful of making content good enough to be exploited on different platforms, Healey said. “One issue with production budgets is at the lower end you might cover your costs, but you’ll struggle to get a DVD release or sell it internationally.”

Source: TBI Vision

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All the Good Dance Partners Are Being Chosen

Is it just me or does it seem like in the last couple of months all the major Internet Web series players are hooking up with major media companies?

Check out these pairings:

Atom.com announced today that COMEDY CENTRAL has ordered a third season of its half-hour, late-night series “Atom TV” and that sister network MTV2 will premiere its new original series “The Atom Show”, a 15 minute best of Atom.com.  Both series will feature all-original Web programming developed exclusively for Atom by top comedic talent as well as videos uploaded by viral hitmakers, sketch comedians, animators and independent filmmakers.  Premiering this spring, “Atom TV” will air on COMEDY CENTRAL on Monday nights at 2:30 a.m. and “The Atom Show” will debut on MTV2 on Friday nights at 11:15 p.m.

“We are thrilled to return to COMEDY CENTRAL and to start spending our Friday nights with MTV2,” said Scott Roesch, general manager, Atom.com.  “Playing on both networks is going to give us access to an even bigger audience seeking original comedy on every platform.”

As previously announced, the Atom Web series “Five-On,” which aired on season one of “Atom TV”, has been picked up by COMEDY CENTRAL and will premiere on March 17 as the highly-anticipated on-air series “Ugly Americans.” In addition to that hit from creator Devin Clark, the first two seasons of Atom TV featured content from notable comedy talent including Andy Dick, A.D. Miles, Nick Thune, Dan Levy, Bryan Tucker, Waverly Films, Team Tiger Awesome, Dutch West, Jason Nash, The Landline; award-winning animation series such as Webby winner “Stickman Exodus,” a special episode of Lucasfilm-endorsed “Star Wars” fan movies, and a weekly showcase for uploaded videos voted onto the show by Atom.com site users.

Premiere dates, programming lineups and hosts for “Atom TV” season three and “The Atom Show” will be announced this spring.

And…

Los Angeles-based My Damn Channel, the online original video site run by Rob Barnett, said Thursday that it has been selected by Fox as a premium distribution partner for the network’s original web series. According to My Damn Channel, it will also start developing and producing original new series together with Fox. Financial details on the partnership were not disclosed. The site said the two are launching the effort with a new series called “The Iceman Chronicles”. My Damn Channel is venture backed by Okapi Venture Capital.

Ah, this is going to make things much more interesting. While money and corporate funding doesn’t necessarily equal high quality Web series, it does draw in viewers who will begin to get used to the format and become regular watchers. This is good for everyone, I think.

Sources: Press release and SocialTech.com

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Choose Your Own Web Series Experience via “Spade”

Bump+, the series about unexpected pregnancy, is doing it, but this `choose your own adventure`series sounds even more promising:

John Johnson, CEO of Darkstone Entertainment and director of the Plan 9 from Outer Space remake entitled Plan 9 has released Spade, a choose your own adventure web series.

Each episode chronicles the life and adventures of Jack Spade, a man who 15 years ago was prophesied to defeat the forces of darkness. Having done so, the Masonic Church of Rome deemed him as no longer necessary and turned their back on him.

Now, will her the efforts of his love Leena be enough to pull him from the brink when a familiar benefactor returns to make one last house call?

How to play?

Watch each episode and vote for what you want to see happen next. After each episode airs you have 72 hours to vote on how you want the story to unfold. To begin from the beginning scroll to the bottom of the web site and watch from the start. The newest episode will be posted at the top of the page every other Thursday for the rest of 2010.

While in post on Plan 9, Johnson says, “I thought I would take this time to challenge myself as a filmmaker and see what horror audiences truly want to see out of films these days. With absolutely no budget and use of YouTube friendly music, I am armed with the materials to create a show that can only happen now in this age. Give it a go, and see if Spade is something for you.”

Here`s part one of the first episode:

Source:  Shock Til You Drop

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